For more than a decade that had no exposure Renzi he was completely dedicated, and on previous occasions I was much most small to get to like the way it could now. I always got it comments readings, images linked to their work and highly political actions, such as those that were part of Tucumán Arde, but knew nothing of all these works that I could now see in this sample of Imago, the foundation of Osde Suipacha street. The revolutionary aspect is portrayed and focused on a separate sitting room, a reference that could not miss, as a comment in a footnote, but not the central axis.
all begins with "Margarita", a painting of 1964 where he finds a path of experimentation that seems frozen with the advent of the dictatorship in 1976. From there, his art is a way in which it becomes increasingly clear their hyper virtuosity in the design of milk, cups, chairs, still lifes and other objects.
After 1985, the exhibits show how the artist takes up a line of work long abandoned. Here is the release that occurs in their work is complete, and away from the neatness and the line contained in its preliminary stage, we find an explosion of color and unique traits and expressions, which do not keep anything in common with your previous price.
is very noticeable, at least in all the exhibits, this new technique and the chosen subject for painting during the period of Argentina's military dictatorship, sharply contrasting with the times before and after, something that fills me with questions, will have been pursued? There will be forced into exile like so many other artists? I tried to clean the very recent past linked to its revolutionary political action used art as a tool and would be sufficient to be considered a suspicious subject? However
are his own words that will not let us stay in the literalness of the painted patterns: "I actually work are ideas," she told this man that ever died so young, just 52, and now could enrich the arts scene in policy issue has been fading.
In his works of clouds we see a concern different formal and looking at them we can not remember the skies of Bony, but are so different from each other: those of Renzi just outlined, with colors that deviate from the real to be closer to children's drawings, where clouds never fail and are usually light blue like that (mine also used to wear bow tie in tails and a big smile!). Bony
Skies, which came many years later, are of absolute perfection, and we are filled with admiration when we come to discover in detail and can not believe that this cotton is only a beautifully worked oil slick. Far from this perfection is for Renzi to work their clouds.
not difficult to detect the influence of Matisse on the sets of images caused by trompe l'oeil , a pedigree that never would have guessed before seeing the exhibition.
I also took the discovery of the meaning of the lyrics semi hidden in the mural Renzi made in Medrano station line B, which I usually do quite often and whose authorship unknown, tucked in the people fatal preparation, peak hours , troubles many and speed. And what was hiding under the large arrow heads the mural? ... A song of the Round! that of "I care for my sweetie, who bit the glass by other again. " A wound in the heart of Soda lovers know that have their tribute ricotero renziano in the bowels of the city.
0 comments:
Post a Comment