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is difficult role of a critic. Much more when you have to take on an artist in a brilliantly lucid mind does not let even the slightest comment from his partner.
In the book of Pierre Bourdieu rules of art, it recreates an interview with Marcel Duchamp that always seemed funny and very problematical. In the texts of art, no longer abound the multiple interpretations that make theoretical works they see, looking intellectualize the work to its conclusion and especially an artist of such significance path, weaving and unraveling assumptions about each of the fragments that compose it.

In this conversation, transcribe it, then come deal of speculation in relation to their works, performances on their own and others over many details that the reporter no longer given to the grand master of conceptual art, being denied each and every one then by the same artist:

- Returning to his ready made, I thought R. Mutt, the signing of the Fountain was the name of the manufacturer. But in an article I read Rosalind Krauss: "R. Mutt, to points on the German armut, or poverty ". Poverty, that completely subvert the meaning of the Fountain .
- Rosalind Krauss? "The redhead? It is not that at all. You can deny it. Mutt comes from Mott Works, the name of a great company of instruments of hygiene. But Mott was too close, then turned it into Mutt, he had a comic strip that is published every day then, Mutt and Jef, everyone knew. There was thus from the beginning, a resonance. Mutt, chubby and funny, Jef, tall and thin ... I wanted a different name. And I added Richard ... Richard is fine for a urinal! You see, the opposite of poverty ... but even that, only A. R. Mutt.
- What is the possible interpretation of the bicycle wheel? Can we see in it the integration of movement in the work of art? Or a fundamental starting point, like the Chinese, who invented the wheel?
- This machine has no purpose, except to get rid of the appearance of the artwork. It was a fantasy. I did not call her "work of art." I wanted to finish with the desire to create works of art. (...)
- What about geometry book exposed to the weather? Can we say that it is the idea of \u200b\u200bintegrating time in space? "Playing with the term" geometry in space "and" time " Rain or shine, whose intervention would transform the book?
- No. Nor is the idea of \u200b\u200bintegrating movement in sculpture. It's just humor, unequivocally humor, humor. To denigrate the seriousness of a book of principles.


Sometimes things are simpler than they appear and try to complicate too the creative process always leads to no good purpose, as they rarely correspond to the procedures of an exact science.
I think there's some validity to what you said that once the work is done and exposed to public consideration, that work no longer belongs to its author. Since then his opinion is a more possible, perhaps the most authoritative and the next, yes, but one of thousands possible to enrich the final product.
After reading this interview, I would like to witness an anachronism, because I can not help wondering what it would be an interview conducted by Luis Majul Duchamp: for rent balcony!

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The virtues of the disparity

Borges was perhaps divining virtues? I had a crystal ball at home, or in the corner of a hidden staircase gleamed the famous aleph? Sometimes I think so. While partnerships often generate stories I herein may be much more bizarre than he ever could have imagined.

recently became virtually impossible to turn on the TV and escape the angled face of Fort and their furry coats. Passing through the RSM program, I learn that the producer Ideas del Sur was doing a double casting to find this man (for what? To make it more ubiquitous than it already is?). The camera shows a guy that barely scratches the 20 years, ensuring it is able to change her hairstyle, her voice and her appearance to look like chocolate. So far everything seems relatively normal, if not because the boy is blond, very skinny, long hair and a voice very keen to interpret the theme highest Bee Gees effortlessly. Although preferred Britney dance a single step uncoordinated.

In one of my favorite books of Borges, "A Universal History of Infamy," he told about becomings of Tom Castro, a guy a little bit light, which induced a certain Bogle, decides to respond to the request for a high-born lady, who not to believe in the death of his son, launched a campaign to find around the world. Castro is the very opposite may occur to both physical appearance and in its distinction and intellect to the young man disappeared at sea.
The reasoning is that someone trying to look like the original, would only increase the visibility of counterfeiting; would emphasize similarities over differences. The absurdity of the matter demonstrate that it was not a fraud. And this is how instead of "a slender gentleman air cladding, with sharp features, dark complexion, straight black hair, bright eyes and the word accuracy and upset," we appear to "a boor overflowing of vast abdomen, pulling a freckled complexion, brown curly hair, a friendly smile and a perfect idiot ignorance of the French language. "

Maybe sometime in the not too distant Blond guys see a black dyed foam muscles and posing as Ricardo Fort and not notice the difference. Overall this Finally it seems increasingly a caricature of himself. Although it would still be interesting to try to explain why such a strange attraction exerted on people. Andy Warhol
not seem to be wrong when he predicted that we would all have our 15 minutes of fame. What I did not say either is that the rest were going to have to endure.